The Camera is the Filter – “Digital cameras are, themselves, a filter—each one reflects the technology and aesthetics of its time. A photo taken on an early 2000s digital camera, for instance, captures not only the subject but also the era’s unique imperfections—grainy textures, soft focus, lower resolutions, and muted colors. These qualities are part of the photo’s authenticity, a snapshot of history shaped by the camera’s limitations. Adding filters that emulate an old type of film erases that context, replacing the original look with a trendy (at the time), artificial aesthetic that distorts the photograph’s integrity. To me, that defied what I thought the purpose of the job was, which was to document these factories in that particular moment in time.”